Pour une histoire élargie de la télévision
Citation:
Vallotton, François; Weber, Ann-Katrin: Towards an Expanded History of Television, 2021 (Living Books About History). Online: <https://www.doi.org/10.13098/infoclio.ch-lb-0009>.
Méthodes
Keilbach, Judith; Stauff, Markus: When Old Media Never Stopped Being New. Television’s History as an Ongoing Experiment, in: Valck, Marijke de; Teurlings, Jan (Hg.): After the Break. Television Theory Today, Amsterdam 2013, S. 79–98. Online: <https://www.livingbooksabouthistory.ch/uploads/media/section/0001/01/c236e85d9292fff32ec5c00a6eec016827f048eb.pdf>.
Licence: Copyright M. de Valck, J. Teurlings / Amsterdam University Press 2013. Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported Licence (CC BY-NC-ND 3.0)
Uricchio, William: Television’s First Seventy-five Years: The Interpretive Flexibility of a Medium in Transition, in: Kolker, Robert (Hg.): The Oxford Handbook of Film and Media Studies, Oxford 2008. Online: <http://web.mit.edu/uricchio/Public/pdfs/pdfs/oxford%20handbook.pdf>, Stand: 29.08.2019.
Licence: Copyright Oxford University Press 2019. Freely accessible on web.mit.edu.
Müller, Jürgen: L’intermédialité, une nouvelle approche interdisciplinaire : perspectives théoriques et pratiques à l’exemple de la vision de la télévision, in: Cinémas : revue d’études cinématographiques / Cinémas: Journal of Film Studies 10 (2–3), 2000, S. 105–134. Online: <https://doi.org/10.7202/024818ar>.
Licence: Copyright Cinémas 2000. Librement accessible sur erudit.org.
Zielinski, Siegfried: Audiovisions : Cinema and Television as Entr’actes in History, 1999. Online: <https://library.oapen.org/handle/20.500.12657/35096>, Stand: 30.08.2019.
Licence: Copyright Amsterdam University Press 1999. Freely accessible on oapen.org (OAPEN Deposit Licence – all rights reserved).
Spigel, Lynn: La télévision dans le cercle de famille, in: Actes de la Recherche en Sciences Sociales 113 (1), 1996, S. 40–55. Online: <https://doi.org/10.3406/arss.1996.3181>.
Licence: Copyright Seuil 1996. Licence Creative Commons Attribution-NonCommercial-NoDerivatives (CC-BY-NC-ND).
Fickers, Andreas: The Emergence of Television as a Conservative Media Revolution: Historicising a Process of Remediation in the Post-War Western European Mass Media Ensemble, in: Journal of Modern European History 10 (1), 01.02.2012, S. 49–75. Online: <https://orbilu.uni.lu/bitstream/10993/7616/1/The%20Emergence%20of%20Television%20as%20a%20Conservative%20Media%20Revolution.pdf>.
Licence: Copyright Sage 2012. Freely accessible on orbilu.uni.lu.
Bourdon, Jérôme: Is the End of Television Coming to an End?, in: VIEW Journal of European Television History and Culture 7 (13), 16.05.2018, S. 80–95. Online: <https://doi.org/10.18146/2213-0969.2018.jethc144>.
Licence: Copyright Jerôme Bourdon 2018. Creative Commons Attribution ShareAlike 4.0 International Licence (CC-BY-SA 4.0).
Ellis, John: How television used to be made. ADAPT: Researching the history of television production technology, <https://www.adapttvhistory.org.uk/>, Stand: 13.07.2021.
Licence: Copyright John Ellis 2020. Creative Commons Attribution 4.0 International Licence (CC-BY 4.0)
Lange, André: Histoire de la télévision, histv, 2018, <https://www.histv.net>, Stand: 27.07.2021.
Licence: © André Lange 2018. Freely accessible online.
Imaginaires
Balbi, Gabriele; Natale, Simone: Media and the Imaginary in History, in: Media History 20 (2), 03.04.2014, S. 203–218. Online: <https://www.livingbooksabouthistory.ch/uploads/media/section/0001/01/752ea79600df9d6bbb548c0bf9624d64c39a121c.pdf>.
Licence: Copyright Taylor & Francis 2014. Accepted manuscript freely accessible on repository-lboro.ac.uk (CC-BY-ND-ND 4.0).
Galili, Doron: Tom Swift’s Three Inventions of Television: Media History and the Technological Imaginary, in: VIEW Journal of European Television History and Culture 4 (7), 09.09.2015, S. 54–67. Online: <https://doi.org/10.18146/2213-0969.2015.jethc081>.
Licence: Copyright Doron Galili 2015. Creative Commons Attribution-ShareAlike 4.0 International Licence (CC-BY-SA).
Born, Erik: The Promise of Television, The Promise of Cinema, 14.10.2017, <http://www.thepromiseofcinema.com/index.php/the-promise-of-television/>, Stand: 30.08.2019.
Licence: Copyright Erik Born 2017. Freely accessible online.
Weber, Anne-Katrin: Television as new media: Raymond-Millet’s ‘Télévision: Oeil de Demain’ (1947) and the politics of French experimental TV, in: NECSUS. European Journal of Media Studies 8 (1), 2019, S. 69–89. Online: <https://doi.org/10.25969/mediarep/4188>.
Licence: Copyright Amsterdam Univesity Press 2019. Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Licence (CC-BY-NC-ND).
Sconce, Jeffrey: Stasis, in: Berton, Mireille; Weber, Anne-Katrin (Hg.): La télévision du téléphonoscope à youtube: pour une archéologie de l’audiovision, Lausanne 2009.
Licence: © Editions Antipodes 2009. Reproduced with the permission of the publisher.
Thibault, Ghislain: Streaming: A Media Hydrography of Televisual Flows, in: VIEW Journal of European Television History and Culture 4 (7), 09.09.2015, S. 110–119. Online: <https://doi.org/10.18146/2213-0969.2015.jethc085>.
Licence: Copyright Thibault Ghislain 2015. Creative Commons Attribution-ShareAlike 4.0 International Licence (CC-BY-SA).
Koszarski, Richard; Galili, Doron: Television in the Cinema Before 1939. An International Annotated Database, with an Introduction by Richard Koszarski, in: Journal of e-Media Studies 5 (1), 2016. Online: <https://doi.org/10.1349/PS1.1938-6060.A.471>, Stand: 27.07.2021.
Licence: © Trustees of Dartmouth College 2021. Creative Commons Attribution-NonCommercial 4.0 International Licence (CC-BY-NC).
Machines
Mills, Mara: The Audiovisual Telephone. A Brief History, in: Keazor, Henry; Giessen, Hans W.; Wübbena, Thorsten (Hg.): Zur ästhetischen Umsetzung von Musikvideos im Kontext von Handhelds, 2012, S. 34–47. Online: <https://doi.org/10.11588/ARTDOK.00002016>, Stand: 27.07.2021.
Licence: Copyright Mara Mills 2012. Freely accessible on archiv.ub.uni-heidelberg.de
Weber, Anne-Katrin: Recording on Film, Transmitting by Signals. The Intermediate Film System and Television’s Hybridity in the Interwar Period, in: Grey Room (56), 01.07.2014, S. 6–33. Online: <https://people.unil.ch/annekatrinweber/files/2018/05/Recording_on_Film_Transmitting_by_Signal.pdf>.
Licence: Copyright MIT Press 2014. Freely available on people.unil.ch
Hughes, Kit: Record/Film/Book/Interactive TV. EVR as a Threshold Format, in: Television & New Media 17 (1), 01.01.2016, S. 44–61. Online: <https://www.livingbooksabouthistory.ch/uploads/media/section/0001/01/ab66ac366149df1dbd2851ac7d4a544dae1a6a6b.pdf>.
Licence: Copyright Sage 2016. Reproduced with the author's permission.
Engell, Lorenz: Apollo TV. The Copernican Turn of Gaze, in: World Picture Journal 7, 2012. Online: <http://www.worldpicturejournal.com/WP_7/Engell.html>, Stand: 27.07.2021.
Licence: Copyright World Picture 2012. Freely available online.
Streeter, Thomas: Blue Skies and Strange Bedfellows: the Discourse of Cable Television, in: Spigel, Lynn; Curtin, Michael (Hg.): The Revolution Wasn’t Televised: Sixties Television and Social Conflict, Boca Raton, FL 2013 (AFI Film Readers). Online: <https://www.uvm.edu/~tstreete/newfable.htm>.
Licence: Copyright Routledge 2013. Freely available on uvm.edu.
Parks, Lisa: Earth Observation and Signal Territories: Studying U.S. Broadcast Infrastructure through Historical Network Maps, Google Earth, and Fieldwork, in: Canadian Journal of Communication 38 (3), 14.09.2013. Online: <https://doi.org/10.22230/cjc.2013v38n3a2736>, Stand: 28.07.2021.
Licence: Copyright Canadian Journal of Communication 2013. Creative Commons Non-Commercial Non-Derivative Licence (CC-BY-NC-ND).
Weber, Anne-Katrin: dronetv.lu, <https://dronetv.lu/en>, Stand: 28.07.2021.
Licence: Copyright Anne-Katrin Weber 2020. Freely available online.
Diffusions
McCarthy, Anna: From Screen to Site: Television’s Material Culture, and Its Place, in: October (98), 01.10.2001, S. 93–111. Online: <https://www.livingbooksabouthistory.ch/uploads/media/section/0001/01/16fceeee30d0d073b90765c9000bdfc2e297139c.pdf>.
Licence: Copyright October Magazine & MIT Press 2001. Freely available on reasearchgate.net.
Duccini, Hélène: Histoire d’une illusion. La télévision scolaire de 1945 à 1985, in: Le Temps des medias n° 21 (2), 2013, S. 122–133.Online: <https://www.cairn.info/revue-le-temps-des-medias-2013-2-page-122.htm>, Stand: 28.07.2021.
Licence: Copyright Nouveau Monde Editions 2013. Librement accessible sur cairn.info.
Wagman, Ira: Tele-clubs and European Television History Beyond the Screen, in: VIEW Journal of European Television History and Culture 1 (2), 29.11.2012, S. 118–128. Online: <>.
Licence: Copyright Ira Wagman 2012. Creative Commons Attribution-ShareAlike 4.0 International Licence (CC-SA).
Paulsen, Kris: Half-Inch Revolution, in: Amodern 2, 10.2013. Online: <https://amodern.net/article/half-inch-revolution/>, Stand: 28.07.2021.
Licence: © Kris Paulsen 2013. Freely available on amodern.net.
Åhlén, David Rynell: Modern Art as Media Event. Early Swedish Television and the Communication of Art Appreciation, the Case of «Multikonst» (1967), in: Journal of e-Media Studies 5 (1), 2016. Online: <https://doi.org/10.1349/PS1.1938-6060.A.457>, Stand: 28.07.2021.
Licence: Copyright Trustees of Darmouth College 2016. Creative Commons Citaton Non-Commercial Licence 4.0 (CC-BY-NC).
Radio Télévision Suisse: Les archives de la RTS, rts.ch, <https://www.rts.ch/archives/>, Stand: 28.07.2021.
Licence: Copyright SRG-SSR 2021. Librement accessible en ligne.
Enseigner (avec) la télévision
Hilmes, Michele: The Bad Object: Television in the American Academy, in: Cinema Journal 45 (1), 2005, S. 111–117. Online: <https://www.livingbooksabouthistory.ch/uploads/media/section/0001/01/c6b083454b54905b93ee9e06f503b82973a215c6.pdf>, Stand: 28.07.2021.
Licence: Copyright University of Texas Press 2005. Link to PDF available online via semanticscholar.org.
Vallotton, François; Valsangiacomo, Nelly: L’audiovisuel dans l’auditoire. L’intégration des sources radiophoniques et télévisées au sein de l’enseignement académique, in: Schweizerische Zeitschrift für Geschichte = Revue suisse d’histoire = Rivista storica svizzera 60, 2010, S. 33–43. Online: <https://doi.org/10.5169/SEALS-109692>.
Licence: Copyright Chronos 2010. Freely available on e-periodica.ch.
Graff, Séverine: «Les jeunes vont s’éclater!» Apocalypse, la Premiére Guerre mondiale ou l’enseignement au defi du spectaculaire, in: Didactica historica, Revue Suisse pour l’enseignement de l’histoire 1, 2015, S. 33–38. Online: <https://www.livingbooksabouthistory.ch/uploads/media/section/0001/01/42829e2df2e89b28e9e5427b63dee46429f7898f.pdf>, Stand: 28.07.2021.
Licence: Copyright Editions Alphil 2015. Freely accessible on codhis-sdgd.ch.
Vallotton, François; Weber, Anne-Katrin: Au-delà du service public – Pour une histoire élargie de la télévision en Suisse, 1960-2000, <https://wp.unil.ch/tvelargie/>, Stand: 28.07.2021.
Licence: © 2021 Au-delà du service public. Freely accessible online.